We closed out 2011 with a Holiday Shakedown, featuring the legendary George Porter, Jr. (Meters, Running Pardners) and rising star Dee-1.
Recorded at the Maison, 12.17.11
We closed out 2011 with a Holiday Shakedown, featuring the legendary George Porter, Jr. (Meters, Running Pardners) and rising star Dee-1.
Recorded at the Maison, 12.17.11
Co-sponsored by The New Orleans Film Festival, Ben Jaffe (Creative Director, Preservation Hall, Producer, Louisiana Fairytale) and Gabriel Velasco (Composer, La Hora Cero, Henry Rollins: Uncut from New Orleans) discuss the business of scoring film.
Recorded live @ the Louisiana Humanities Center, 10.18.2011
How much of what you read on the Internet has a direct influence on your daily choices? Do you take bad restaurant reviews whining about lukewarm entrées and grumpy waiters to heart or do you dub the commenters as persnickety nobodies with too much time on their hands? Would you buy a book or attend an event just because of the abundance of Facebook “likes” and “fans” next to its link? With the Internet, especially social media, taking over how grow as a culture, interviews reviews often have a big impact on the very success of a product, event, or even a single person. In this article we will discuss how the Chaz Festival matches up with the New Orleans Jazz Festival in regards to conversations and reactions via the web.
If you’ve read any entries on this site regarding Alex MCmurray, the singer/songwriter recognized as “the embodiment of the downtown New Orleans lifestyle,”* you’ve probably heard about “Chaz Fest”—a 10 hour event of nonstop music and culture founded by McMurray to celebrate local artists unable to make the New Orleans Jazz and Heritage Festival roster. So how does this localized grassroots gig match up to the big time event attractive to both locals and visitors from around the globe? Lets first take a look at the brief history of the festival and move into how it is has gained reputation on the Internet. (*Source: alexmcmurray.com)
Named after washboard genius “Washboard” Chaz Leary, the Chaz festival began just after Hurricane Katrina when many local artists were “frozen out” of the New Orleans Jazz Fest lineups. Many believed the big festival had slowly drifted from its roots of artistic celebration and unfortunately evolved into an over-priced and commercialized event. While many New Orleans’ artists had claimed the Thursday event days as their own, this day had been cut from the schedule all together that year. Refusing defeat, rejected artists gathered outside the fairgrounds at what is known as the “Truck Farm”: four houses of which were quickly transformed into recording studios, party venues, and concert stages for the local musicians. (These houses are owned by: Trina Shoemaker (Grammy-winning producer), Karen Brady (former manager of the legendary Kingsway recording studio), David Pirner (of the band Soul Asylum) and Jeff Treffinger (a producer and engineer.) The event has since grown into a full-blown musical festival complete with permits, volunteers, food stands, and of course great jazz music.
So is the festival just considered a success to the families and friends of the “uninvited” local musicians? Absolutely not. Whether taking a break from the crowds of Jazz Fest or skipping the big event altogether more visitors find their way into grassroots experience each year as it gains more recognition and even more coveted artists. This years event garnered great reviews:
One member of www.nola.com wrote: “Been to every one of them and its truly one of the greatest annual events we have in New Orleans…Alcohol selection is far superior to Jazz Fest.” Another remarked about the hype which has grown over the years for the event: “I’ve heard good things about this shindig, but I’ve been living away for a while and haven’t been able to get a first hand experience…that is until this year.” Some spoke of their appreciation for the laidback atmosphere surrounding the Chaz fest: “Go on by, take your shoes off, enjoy some music & meet the neighbors” only going on to point out “That, in & of itself, is a vanishing American Tradition, kept alive here by these intrepid & friendly people.”
On yelp.com, a New Orleans native wrote: “It was like paradise for hipsters young and old.” Facebook fans of the event also had their fair share to say about the event this year: as one fan wrote: “Thanks everyone for all your hard work and giving us one of the best days of the year!” as others dubbed it the best Chaz Fest to date. The Chaz Fest Facebook group enjoys 721 “likes”, 20 Facebook check-ins (this year) and 68 followers on Twitter.
If you attended Chaz Festival this year or you plan to head over for your first time next spring, make sure you to help raise awareness for the event by joining in the conversation whether its commenting on your anticipation for next years lineup, uploading a mobile photo of the event or even simply tweeting how it feels to be a part of the new Orleans musical grassroots movement.
For more information on Chaz Fest such as lineups and updates click here.
To become a Facebook fan of the Chaz Fest click here.
To follow Chaz fest on Twitter click here.
For pictures of this years Chaz Fest click here. (courtesy of Flickr and Offbeat Magazine.)
In our first installment, two veteran musicians discuss their careers in New Orleans.
Recorded at the Louisiana Humanities Center, 02.22.2011
In Truth’s music video “Protect and Serve” Truth expresses how he experienced altercations with the New Orleans Police Department in his earlier years while living here. He continues to support police accountability and believes that police should be responsible for their actions. His life growing up in New Orleans and his strive to express his life in his music is presented here in a cumulative collaboration of information gathered from the web.
Truth Universal’s “Serve & Protect” music video is heavy on the content and visuals depict a gripping companion piece. Protect and Serve focuses on police accountability and examines the roles of police forces in the United Sates and around the world. The song is based on the book, The Velvet Glove and the Iron Fist: An Analysis of U.S. Police by Tony Platt et al. The book is a highly informative history and now classic analysis of the U.S. police from a critical perspective. It addresses all aspects of the subject, from special weapons teams and political surveillance to pacification programs and women on patrol.
Truth cites October 22nd as the National Day of Action Against Police Brutality and Terrorism. In honor of this day, he has released his music video Protect and Serve just in time. The October 22 Coalition to Stop Police Brutality, Repression and the Criminalization of a Generation has been mobilizing every year since 1996 for a National Day of Protest on October 22, bringing together those under the gun and those not under the gun as a powerful voice to expose the epidemic of police brutality. http://www.october22.org/index.html
Police accountability involves holding both individual police officers, as well as law enforcement agencies responsible for effectively delivering basic services of crime control and maintaining order, while treating individuals fairly and within the bounds of law. Police are expected to uphold laws, regarding due process, search and seizure, arrests, discrimination, as well as other laws relating to equal employment, sexual harassment, etc. In a democratic society, the political process and elected officials serve to keep the police accountable and that they reflect the “will of the people”. In turn, holding police accountable is important for maintaining the public’s “faith in the system”.
Truth has dedicated this song to all of those who have been wrongfully victimized by police. Most of all, this song and video is dedicated to those innocent citizens who have lost their lives at the hands of the police.
Citations:
Universal, Truth New Orleans Hip Hop Artist Universal’s ‘ Protect and Serve Video Release Tuesday, October 26, 2010 readersupportednews.org/…/3737-new
en.wikipedia.org/wiki/Police accountability
music.aol.com/artist/truth-universal/biography
Alex McMurray started Chaz Fest as an alternative to New Orleans’ Jazz Fest. In 2006 Alex and other local musicians were left without gigs in Jazz Fest, so Alex decided to create a festival that showcased the talents of real New Orleans called Chaz Fest. Named after local musician, Washboard Chaz, Chaz Fest is an alternative to Jazz Fest in almost every way. Jazz Fest is crowded, expensive, and commercialized. Where as Chaz Fest is held at a small, personal venue, tickets only cost $20, and all of the acts are have cut their teeth living and working in New Orleans. Chaz Fest is the festival for someone who wants to find real New Orleans music in a real New Orleans venue.
CHAZ FEST:
VS.
JAZZFEST: